Quilting patterns, mystery quilts, quilting classes & supplies

Applewood Farm is the name we have given to our old homestead.
It is 13.5 acres of woods and meadow on the Tittabawassee River
here in central Michigan, USA

A Quilty Old Place --- Beth's Quilting Studio Construction



Photos Front and Back - 2011

The house was built during the 1800's logging boom in Michigan. During that period Saginaw sawmills processed about 5 BILLION board feet of lumber. As a result, the house is built with probably 4 times more wood than an equivalent house today. (For example the walls are sheathed with one inch planking under the 1/2" weatherboard siding.)

 

Home Page

Beth's Books

Beth's Patterns

Beth's Favorite Supplies

Beth's Blog

Eamil Us







 

 

Applewood Farm was named after our old home in central Michigan. We do not live there any more but it was a wonderful place to raise our four boys. Some new owners are caring for it, fixing it up and making it there own. We are sure they love it as much as we did. We will always treasure living there. Here is our story about it:

This is a vernacular Greek Revival built right around 1860 at the start of the Civil War by John Ure. John was the son of Andrew Ure who moved here with his family in 1833. This is believed to be the third house the Ures built on the property. The farm grew to about 250 acres in it's heyday and included all of what is known today as Immerman Park. Andrew Ure & John Ure can be found in Saginaw history books as prominent and active members of the early community.

At the time this house was built the Greek Revival era was almost over. Greek Revival architecture was most popular roughly from the 1830s to 1860s During that period Grecian style buildings were very popular in the Midwest but alsocan be found throughout the country. Greek Revival is the first of the American Romantic revival styles.

Greek Revival elements are taken from a classic Greek Temple with columns supporting a horizontal framework just below the lower edge of the roof. The peaked ends of the roof are enclosed in a triangular pediment.

Other Greek Revival elements are the windows of the house which are typically large and tall (six over six, double or triple hung) to resemble the spaces between the columns. In some houses these windows extend all the way to the floor. Second story windows are placed directly above the first floor windows to continue the effect. Large panels and small "frieze" windows just under the roofline, above the siding, are reminiscent of the decorated entablature panels on the temples. On houses without actual columns in front, pilasters (columns built into the wall) can be found on each side of the main entrance and at the corners of the building. At the main entrance, between the pilasters and the door are tall narrow window sections which are also carried over the top of the door. The entryway is designed to reflect the columns and beam construction of the main building. These narrow windows around the main entry were so popular they can still be found on many other architecture styles in modern houses today. Finally, the overall size and massing of the structure, with the entryway in the center, low peaked roof and pediment, smaller chimneys, and general symmetry are all elements of a Greek Revival house whether it is a large and ornate mansion or a smaller country farmhouse.

Our home is too small to be a full Greek Revival structure. Instead it is a vernacular (in the style of) Greek Revival. As was often the case, the entryway is offset to one side, the columns are pilasters built into the walls around the main entry and at the corners. This allowed the rooms on the ground floor to be larger and more useful given the overall footprint of the structure.

The main house was once larger that it is today. The kitchen wing in the back was torn down and moved into the living room just after World War 2. The parlor is now the living room. Inside the entryway, a wall between the parlor and the entry hallway was removed to make for a much larger living room. An addition was also added to one end of the structure to include an office and garage (now converted to a quilting studio). The addition was done very well and matches up with the original architecture seamlessly.

The old place stills has most of the original windows, hardware, doors, floors, siding. etc. The floors are wide plank tongue & groove pine. Most of the doors & windows have their original hardware and much of the original glass is intact (bubbles, waves and all). In the lower wing section of the house, the attic area sheltered the hired hands on the farm. There was a small rear stairway that led to the kitchen so the hired hands did not have to pass through the formal part of the house. The barn next door was a very large structure which connected to many of the out buildings so that once you were in the barn on a cold winter day you could tend to most of the animals without going outside. Local folklore is that the window glass was made at a nearby smith shop and the local Souix had a summer fishing camp just up the river in sight of the house.

The Ure house was built in the height of the Saginaw lumber boom. The pine siding in the house is a solid 1/2 inch thick, not tapered clapboard and is nearly knot free. The inside of the exterior walls are sheathed in one inch thick by eight or ten inch wide planks, ten to twelve feet long under the plaster. The ten by twelve inch timbers in the basement still show the marks of the hand tools from the craftsman who shaped the pockets into them to hold the joists over 150 years ago. If any of this wood is cut today to make repairs the smell of fresh pine fills the air as if the the trees were cut just last year.

It was a wonderful journey and blessing to be the caretakers of such a home.

Kent & Beth Ferrier

Applewood Farm Publications
   
   

Applewd.com web page created by
Kent Ferrier

     
     
   

© 1998 - 2012 Applewood Farm Publications, Inc.
All rights reserved.